Dean Young and John Marshall



Blondie was created by my father, Chic Young, in 1930. Blondie began her cartoon life in the same flighty, pretty-girl flapper image of my father's earlier strips (some of which, in his own words, were better not remembered!).

For historical purposes, they were: The Affairs of Jane, Beautiful Bab, and Dumb Dora (appropriately subtitled, She's Not So Dumb As She Looks). Anyway, Blondie Boopadoop was a gorgeous flapper who had a ton of of whom was Dagwood Bumstead. Dagwood, in those days, was the bumbling, playboy son of billionaire railroad tycoon J. Bolling Bumstead. In his town, J. Bolling not only owned all of the property on his side of the track, but also all the property on the other side of the 3,000 more miles of the track!

Dagwood wasn't exactly a successful playboy. For instance, his polo pony would stop and eat grass in the middle of the field during a chukker. And once, when he became lost in his own mansion, he experienced the humiliation of having to join a sightseeing tour to get back to the living room.

All of a sudden, the Great Depression was upon us. With families facing disaster, farms being foreclosed, tenants being dispossessed, and nothing on the horizon but despair...this comic strip about a flighty blonde and her boyfriend's millions was not so funny anymore. The Blondie magic began to evaporate as more and more newspapers dropped the comic strip. Blondie was headed for ignominious doom and extinction.

Then, a miracle happened! Blondie and Dagwood fell in love. Really in love. More than any comic characters before them. They made plans to get married which, at the time, was a bold departure in comics.

So, in true storybook fashion, love conquered all obstacles. After a tumultuous engagement that included a 28-day, 7-hour, 8-minute, 22-second hunger strike, these two unlikely misfits tied the matrimonial knot in the memorable comic strip wedding scene of Feb. 17, 1933.

Dagwood, of course, was immediately disinherited by his parents for marrying "that gold digger blonde." When J. Bolling wrote him out of his will, Dagwood and Blondie had to go out into the world and hack it like the rest of us.

Settling down to a modest lifestyle with children and a dog, they became concerned with real life: making ends meet, raising a family, eating and sleeping. And, these four same topics are still the primary ingredients of the strip to this very day.



Daisy, the family dog, is ever-faithful (except at bath time) and, although she never "speaks," her expressions say it all.

Dagwood Bumstead

Surely, the greatest victim of circumstance the world has ever known. He loves food, sleep, baths...and most of all, his wife and children. His chronic problems are: running into the mailman and getting to work on time. He is not above defending a principle or his family with brute force. He is famous for his super-duper sandwiches.

Alexander Bumstead

Blondie and Dagwood’s teenage son. He resembles Dagwood somewhat in appearance, but seems to be more level-headed and stable. He is a star athlete on the high school football and basketball teams.

Cookie Bumstead

Blondie and Dagwood’s teenage daughter. She has her mother’s good looks. She is an “A” student and a member of the high school varsity cheerleading squad. Cookie is a typical teenager in all respects...especially when it comes to boys.

Blondie Bumstead

Beautiful wife of Dagwood Bumstead. Her good looks serve as validation for Dagwood to operate without all his oars in the water. She is warm, gentle, sweet, loving...and her heart belongs solely to Dagwood. She owns and operates her own business: “Blondie’s Catering Service.” Her own brand of unique logic can solve problems that might confound the most brilliant scholar.

Julius C. Dithers

Founder of the J. C. Dithers Construction Company and Dagwood’s irascible boss. A tyrannical dictator who is constantly abusing his employees, both verbally and physically. <br> He has ice water in his veins and is certain that the most important quantum in life is <br> “the God Almighty dollar bill!” He is lord and master of all he surveys, with one notable exception...his wife! Deep down inside of him, he claims to have a heart that beats and bleeds for all humanity.

Elmo Tuttle

The neighborhood boy who fulfills the child-role character in the comic strip. He is Dagwood’s little pal, as well as his nemesis.

Cora Dithers

Frumpy wife of Julius Dithers. When riled, Cora is apt to refer to her husband as a short, fat, sawed-off, tin-can Napoleon. She exerts control over her husband in every conceivable way, but primarily by verbal fusillade and the unmitigated violence of her ever-present umbrella. She loves Blondie to pieces and would do anything for her.

Herb Woodley

Dagwood’s best friend and next-door neighbor. He finds himself often caught, inexplicably, in the web of Bumstead-inspired plans which have gone astray. He and Dagwood are tuned to the same frequency.

Tootsie Woodley

Blondie’s best friend, next-door neighbor and business partner. She is an attractive brunette who enjoys doing anything and everything with Blondie. She and Blondie are able to commiserate together over the zany schemes of their husbands.

Mr. Beasley

Neither rain nor sleet, nor being knocked down by Dagwood's hasty morning exits will ever keep this mailman from his appointed rounds.


Owner of Lou’s diner where Dagwood eats his many lunchtime meals. He’s covered in tattoos, always has a toothpick in his mouth and his diner isn’t exactly a five-star restaurant.


Dean Young

My father was Chic Young, the original creator of the Blondie comic strip. My mother, Athel, was a concert harpist. They met at one of my mom’s concerts and two weeks later he proposed. We always had a big gold harp in our house and plenty of beautiful music swirling about …inciting my dad to remark, on more than one occasion, that my mom was always harping on something!

When I was 1 year old, our family moved to California. My parents wanted to be in Hollywood, where Columbia Pictures was about to begin filming 24 Blondie motion pictures starring Arthur Lake and Penny Singleton. Before my senior year of high school, we moved to Florida where I still live today.

After my graduation from college, I worked for an advertising agency in Miami. I was with the agency for a couple of years before moving on to become a sales promotion executive. When my father suggested that I come back home and work on Blondie with him, I couldn’t get packed quickly enough.

“On the job training” in my dad’s studio was fun! My dad and I worked a lot and we laughed a lot; it was a great production and a great father-son relationship. Some of the fun was that our studio was right on the bay. I invented a device that would ring a bell in the studio when a fish struck a line at the end of the dock. It was pretty exciting when the bell went off, and we would race out to see what it was. Usually it was a saltwater catfish or something else that we’d have to throw back, but occasionally we were rewarded with a nice surprise. In between the fun and games, my father taught me every little nuance about running a big-time comic strip.

I worked with my father for 10 years before his death in 1973. Blondie, at that time, appeared in 1,600 newspapers worldwide. In the weeks after my father’s death, however, more than 600 newspapers dropped the strip on the basis of his death alone. I was devastated in every way imaginable. The magic seemed gone and, as far as I was concerned, the strip was doomed.

In the following weeks, more and more newspapers dropped the strip. I was near rock bottom when the last words my father had spoken came back to me. Literally on his deathbed, he said, “Listen, don’t worry about the comic strip, if it seems funny to you, do it.” And so I started doing just that. If it seemed funny to me, I did it. My dad must have known what was in store for me, because his foresight turned out to be a beautiful piece of wisdom. Suddenly the magic was back...and so were the lost newspapers!

I am most happy, thrilled, and delighted that, in the years since, we have added more than 700 additional newspapers to the Blondie client list. I think some of that momentum can be attributed to the characters not becoming anachronisms. I’ve worked hard to keep the strip contemporary and when Blondie started her own catering business, it even created a national media frenzy, culminating with Peter Jennings’ selection of Blondie and me as World News Tonight’s “Persons of the Week!”

I am deeply indebted to three great artists who have labored on Blondie with me and contributed so much to its success. Jim Raymond, my father’s longtime assistant and artist, was my first collaborator. Jim’s brilliant artwork is the pantheon and serves, to this day, as the model for all of our graphics. After Jim’s death in 1989, Stan Drake assumed the artistic responsibilities until his death in 1997.

Today, Blondie head artist John Marshall and his assistant, Frank Cummings, are carrying on in the tradition of their predecessors and doing a most wonderful job.

When I’m not working on Blondie, my favorite activities are spending time with my family, spearfishing, skiing and playing chess. As for any resemblance I may have to Dagwood Bumstead...well, Dagwood and I both have “black belts” in buffet and we both like naps. But I believe that the biggest commonality has to do with the fact that we’re both family men, and I think the strip reflects that. I guess you could say that I’m Dagwood’s alter ego, but hopefully, with a little more finesse.

Awards and Distinctions:

Dean was voted a Jaycees Outstanding Young Man of America in 1968, was a National Society of Arts and Letters Gold Medal Winner, a distinguished LaGrange College Alumni Award winner, and “ABC Person of the Week” in 1991.

Being a state swimming champion in high school was the forerunner to his continuing passion for water sports in adult life. He was the State Spearfishing Champion of Florida for twelve consecutive years starting in 1973; competing in nine national championships. The Florida Skin Divers Association honored him with a Lifetime Achievement Award.

John Marshall

John Marshall began his cartooning career at the age of 14. At the urging of his grandmother, he sent some cartoons to Parade magazine, where, to his surprise, he sold one. A few years later, he sold another cartoon to the Saturday Evening Post.

In 1976, after graduating with honors from Ringling School of Art in Sarasota, Fla., Marshall worked as art director at an advertising agency in Binghamton, N.Y. In 1980, Marshall began a career in freelance illustration and cartooning, lasting more than 20 years. Some of his many clients included IBM and General Electric. In 1982, he created the syndicated comic strip Buford. He has also illustrated two books on golf; one for Golf Digest.

Between 1989 and 2003, his editorial cartoons regularly appeared in the Binghamton Press and Sun-Bulletin. He received an honorable mention in the New York State Associated Press Association Writing Contest in 1996. From 1994 to 2002, many of his editorial cartoons appeared yearly in Brook’s Best Editorial Cartoons of the Year. His cartoons have been reprinted in a variety of venues including the book Chicken Soup for the NASCAR Soul.

From 1994 to 2000, Marshall was the artist for Walnut Cove, a comic strip distributed by King Features Syndicate. In 2001, Marshall launched an online comic panel entitled The U.S. of Play, which appeared in syndication until January 2003.

Marshall began assisting on Blondie in December 2002 and became head artist in May 2005.

You might also like

Barney Google And Snuffy Smith


Between Friends






Edge City


The Family Circus


Funky Winkerbean


Hagar The Horrible


Hi and Lois


Katzenjammer Kids




Moose And Molly


Mother Goose & Grimm


On The Fastrack


The Pajama Diaries




Sally Forth


Slylock Fox


Take it from the Tinkersons








Daddy Daze




Popeye's Cartoon Club


Get Premium Access.

Unlock 250,000+ comics.

2 Months Free

Terms Apply. Converts to Continuous Service Subscription. Cancel Anytime.