From The New Yorker to Comics Kingdom — cartoonist Vaughn Tomlinson talks Oddly Enough on Inside the Kingdom. New episode out now.

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  • Sharing OCR: YOU WORK HEREGRAN'MA? I KEEP MYSELF BUSY NOWWHAT's YOUR BUSINESSSONNY ? A FINE AN' GENEROUS OFFERSONNY.. BUT FIRST WOULDN'T YE BE WANTIN' T'KNOW HOW HE GOT IT HURT ? IF ME SHAKY OLD MEMORY DON'T FAIL MEIT HAPPENED SOMETHIN' LIKE THIS... NOw CLEAR OUTA HERE! THERE'S A SAWBUCK IN IT FOR YOU IF YOU TELL ME WHICH EYE THE BOLT KID HURT... HOW'S ABOUT ITBEAUTIFUL? HUH?? OHYEAH.. HOW? CULLEN MUEPIY 3-2 Copr. 1931World rights iecived. YOU WORK HEREGRAN'MA? I KEEP MYSELF BUSY NOWWHAT's YOUR BUSINESSSONNY ? A FINE AN' GENEROUS OFFERSONNY.. BUT FIRST WOULDN'T YE BE WANTIN' T'KNOW HOW HE GOT IT HURT ? IF ME SHAKY OLD MEMORY DON'T FAIL MEIT HAPPENED SOMETHIN' LIKE THIS... NOw CLEAR OUTA HERE! THERE'S A SAWBUCK IN IT FOR YOU IF YOU TELL ME WHICH EYE THE BOLT KID HURT... HOW'S ABOUT ITBEAUTIFUL? HUH?? OHYEAH.. HOW? CULLEN MUEPIY 3-2 Copr. 1931King reatures SyndicateWorld rights iecived.

    Fri, March 2, 1951

    Big Ben Bolt

    By Elliot Caplin & John Cullen Murphy
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  • Art OCR: OHDO YOU THINK YOU COULD FIND ME ONE? PEARLS! HOW MARVELOUS! BUT WHERE? HOW? LIKE TO SEE? GET IN. THAT DEPENDS. FIRST WE MUST SEE IF THE OYSTER YIELDS A PEARLHOW GORGEOUSGYPSY! OHWHAT A NECKLACE THEY'D MAKE! WHERE'D YOU GET THEM. DIVED FOR 'EM. Copr. 1951World rights resernved. OHDO YOU THINK YOU COULD FIND ME ONE? PEARLS! HOW MARVELOUS! BUT WHERE? HOW? LIKE TO SEE? GET IN. THAT DEPENDS. FIRST WE MUST SEE IF THE OYSTER YIELDS A PEARLHOW GORGEOUSGYPSY! OHWHAT A NECKLACE THEY'D MAKE! WHERE'D YOU GET THEM. DIVED FOR 'EM. Copr. 1951King Features SyndicateWorld rights resernved.

    Fri, March 2, 1951

    Buz Sawyer

    By Roy Crane
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  • Snapshot OCR: STAY CLOSEPEOPLE... STAY CLOSE... THIS IS NO PLACE TO DAVWDLE ! ...AND NOWWE WILL PROCEED TO THE DEEPEST PENETRATION THAT WE MAKE IN THE CASBAH! THE NOTORIOUS THIEVES MARKET! CA FRANK ROBBIN) 3-2 A CipiKng Futuns yndrar In. World nghts Red STAY CLOSEPEOPLE... STAY CLOSE... THIS IS NO PLACE TO DAVWDLE ! ...AND NOWLADIES AND GENTLEMENWE WILL PROCEED TO THE DEEPEST PENETRATION THAT WE MAKE IN THE CASBAH! THE NOTORIOUS THIEVES MARKET! CA FRANK ROBBIN) 3-2 A CipiKng Futuns yndrar In. World nghts Red

    Fri, March 2, 1951

    Johnny Hazard

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  • Sun hat OCR: . SHELLY SWEATS AS HE HANDS HIS HALF OF HIS WAGER WITH FELKY TO MAX. 25 AND 25! CORRECT! PROCEED WITH THE GAME! COPR. 1951WORLD RIGHTS RESERVED. FUNNYTHAT I JUST HAPPENED TO DROP AROUND? THOUGHT YOU'D BE LOOKING ME UP.. YOU BEING FLUSH! I HOPE YOU ARE WINNING THIS GAMEBECAUSE AT LEAST CAN'T LOSECAN I? THE PRESSURE IS TOO GREAT. SHELLY MISSES SHOT AFTER SHOT. LOSES. . SHELLY SWEATS AS HE HANDS HIS HALF OF HIS WAGER WITH FELKY TO MAX . 25 AND 25 ! CORRECT ! PROCEED WITH THE GAME ! COPR . 1951KING FEATURES SYNDICATEIne .WORLD RIGHTS RESERVED . FUNNYAIN'T ITTHAT I JUST HAPPENED TO DROP AROUND ? THOUGHT YOU'D BE LOOKING ME UP .. YOU BEING FLUSH ! I HOPE YOU ARE WINNING THIS GAMEBECAUSE AT LEAST CAN'T LOSECAN I ? THE PRESSURE IS TOO GREAT . SHELLY MISSES SHOT AFTER SHOT . LOSES .

    Fri, March 2, 1951

    Brick Bradford

    By William Ritt & Clarence Gray
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  • Illustration OCR: IT DOESNT PASS ) ANOTHER STATION FOR HOURS. WHAT CAN WE DO? WILSON WARDENCANT WE GIRLIEI'M THE LASTOF THE GRAY GANG THANKS TO YOU. YOURE MY GOODLUCK CHARM. I'M HOLDIN'YOU TILLI GET MY MONEY LAND FLAG THE TRAIN THE NEXT AGAIN? THINKS JEFF/ POSSIBLE) PHONE I KNOW THIS ROUTE.) CAN'T YOU LET NOT ANOTHER STOP FOR HOURS.SO RELAX. 3-2 AND DIANA ARE ON THAT TRAIN. ME GO • NOW? STATION SVSDICATE. Int. WORLD RIGHTS BESEKVE IT DOESNT PASS ) ANOTHER STATION FOR HOURS. WHAT CAN WE DO? WILSON WARDENHE HMMCANT WE GIRLIEI'M THE LASTOF THE GRAY GANG THANKS TO YOU. YOURE MY GOODLUCK CHARM. I'M HOLDIN'YOU TILLI GET MY MONEY LAND FLAG THE TRAIN THE NEXT AGAIN? THINKS JEFF/ POSSIBLE) PHONE I KNOW THIS ROUTE.) CAN'T YOU LET NOT ANOTHER STOP FOR HOURS.SO RELAX. 3-2 AND DIANA ARE ON THAT TRAIN. ME GO • NOW? STATION SVSDICATE. Int. WORLD RIGHTS BESEKVE

    Fri, March 2, 1951

    The Phantom Vintage

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  • Art OCR: THERE'S A DOCK AND A BOATHOUSE... I'LL HAVE A LOOK... CURTAINSI LEFT MY PURSE ON THE BOAT... RUN DOWN AND GET ITWILL YOU ? MEANWHILE A HUNORED YARDS AWAY: WIDOWYOU'RE JOE SEVEN! KINDA NICE...WE SHOULDA) YOUVE BEEN FRIENDS LONG AGO... WE BEEN WASTIN TIME! IT'S DAWN. J SMEARED MY LIPSTICK! WHERES MY PURSE... Win I MUST HAVE BLACKED OUT WHEN I HIT THE BEACH..WHERE AM IANYWAY? Cope. 1y31K Latures SyndicatleWorld rig THERE'S A DOCK AND A BOATHOUSE... I'LL HAVE A LOOK... CURTAINSI LEFT MY PURSE ON THE BOAT... RUN DOWN AND GET ITWILL YOU ? MEANWHILE A HUNORED YARDS AWAY: WIDOWYOU'RE JOE SEVEN! KINDA NICE...WE SHOULDA) YOUVE BEEN FRIENDS LONG AGO... WE BEEN WASTIN TIME! IT'S DAWN. J SMEARED MY LIPSTICK! WHERES MY PURSE... Win I MUST HAVE BLACKED OUT WHEN I HIT THE BEACH..WHERE AM IANYWAY? Cope. 1y31K Latures SyndicatleWorld rig

    Fri, March 2, 1951

    Rip Kirby

    By Alex Raymond
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  • Sharing OCR: SO THIS IS THE SWAMI! THE CROOK WITH THE TRICKS! 20... A.. CHIEFLEAVE HIM IN MY CUSTODY FOR THE TIME BEINGUNTIL WE FIGURE OUT A WAY TO -- Copr 1951Inc.. World rights reserved 2 NOTHING DOING! THESE HANDCUFFS WILL HANDLE YOU! I'M BOOKING YOU ON SIX COUNTS OF ROBBERY AND-- ??? 712172 SE CLICK THESE ARE TOO TIGHTCHIEF. DO YOU HAVE A LARGER SIZE? BUT--BUT I LOCKED THOSE ON--YOUR WRISTS! WHAT -- IS--THIS? 3-2 SO THIS IS THE SWAMI ! THE CROOK WITH THE TRICKS ! 20 ... A .. CHIEFLEAVE HIM IN MY CUSTODY FOR THE TIME BEINGUNTIL WE FIGURE OUT A WAY TO -- Copr 1951King Features SyndicateInc .. World rights reserved 2 NOTHING DOING ! THESE HANDCUFFS WILL HANDLE YOU ! I'M BOOKING YOU ON SIX COUNTS OF ROBBERY AND- ??? 712172 SE CLICK THESE ARE TOO TIGHTCHIEF . DO YOU HAVE A LARGER SIZE ? BUT -- BUT I LOCKED THOSE ON -- YOUR WRISTS ! WHAT -- IS -- THIS ? 3-2

    Fri, March 2, 1951

    Mandrake The Magician Vintage

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  • Parallel OCR: XI STEP ON ITSISTER: KEEP OUT 329 * ..KING AND THAT GASOLINE SHED ARE GOING SKY-HIGH IN A FEW MINUTES! PERS CO Produced by Stephen Slesinger. Copyright 1951 by King Features SyndicateInc." World rights reserved. THAT CAR'S LEAVING... NOW I CAN SLIP INTO THE PUMP HOUSE AND GET MY EQUIPMENT..... NO ONE WILL BE THE WISER! /// AH! HERE IT IS SAY! WHAT'S THAT SPUTTERING SOUND? Grey 3-2 S XI STEP ON ITSISTER : KEEP OUT 329 * ..KING AND THAT GASOLINE SHED ARE GOING SKY - HIGH IN A FEW MINUTES ! PERS CO Produced by Stephen Slesinger . Copyright 1951 by King Features SyndicateInc. " World rights reserved . THAT CAR'S LEAVING ... NOW I CAN SLIP INTO THE PUMP HOUSE AND GET MY EQUIPMENT ..... NO ONE WILL BE THE WISER ! /// AH ! HERE IT IS SAY ! WHAT'S THAT SPUTTERING SOUND ? Grey 3-2 S

    Fri, March 2, 1951

    King of the Royal Mounted

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  • Interaction OCR: WHAT DO THERE WAS ENOUGH YOU WILSON MCCOY 3-1 THAT MEANS THEY CAN'T BE FAR..TELL THE MEN TO SEARCH THE gen WOODS! BY PARKING A CAR ON THE TRACKS! BUT WHY THINK? BURN UP THE CAR. DAVESTOP THE TRAIN? TO GET ON IT. GAS IN THE TANK TO SO NOBODY WAS IN IT WHEN THE TRAIN HIT! THAT MEANS JEFF LEFT IT ON THE TRACKS-. MEBBE HE RAN OUTA GAS. HOWD YOU STOP A TRAIN OUT HERE? COPR. I91WORLD RIGHTS RESERVED WHAT DO THERE WAS ENOUGH YOU WILSON MCCOY 3-1 THAT MEANS THEY CAN'T BE FAR..TELL THE MEN TO SEARCH THE gen WOODS! BY PARKING A CAR ON THE TRACKS! BUT WHY THINK? BURN UP THE CAR. DAVESTOP THE TRAIN? TO GET ON IT. GAS IN THE TANK TO SO NOBODY WAS IN IT WHEN THE TRAIN HIT! THAT MEANS JEFF LEFT IT ON THE TRACKS-. MEBBE HE RAN OUTA GAS. HOWD YOU STOP A TRAIN OUT HERE? COPR. I91KING FEATURES SYNDACATEWORLD RIGHTS RESERVED

    Thu, March 1, 1951

    The Phantom Vintage

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  • Brick Bradford (Vintage) - 1951-03-01

    Thu, March 1, 1951

    Brick Bradford

    By William Ritt & Clarence Gray
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  • Art OCR: CAN'T KEEP THIS UP MUCH LONGER.MY ARMS...MY LEGS... THEYRE NUMB... WHATS THAT AHEAD? CAN IT BE... YES! T's LAND! KIRBYYOUVE GOT TÓ MAKE IT! YOU'VE GOT TO! CAN'T KEEP THIS UP MUCH LONGER.MY ARMS...MY LEGS... THEYRE NUMB... WHATS THAT AHEAD? CAN IT BE... YES! T's LAND! KIRBYYOUVE GOT TÓ MAKE IT! YOU'VE GOT TO!

    Thu, March 1, 1951

    Rip Kirby

    By Alex Raymond
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  • Art OCR: ALL OFF! THE CASBAH! FROM HERE WE GO ON FOOT THROUGH THE MYSTERIOUS AND MOULDY MONUMENTS OF THE ARAB EAST! THIS IS NOT HOLLYWOODGO HOLD ON TO EACH OTHER.. AND WHATEVER YOU DODON'T GET LOST! PEOPLE HAVE BEEN KNOWN TO DISAPPEAR IN THE CASBAH AND NEVER RETURN! JUST IDEAL FOR YOU! YEAHBUT I WOULDN'T THINK DEEP IN THE CASBAH... IT WILL BE HIS LAST MISTAKE IF HE DID! I WANT HAZARD! OF GETTING LOT.. WITHOUT YOULI'L JILL . IT GROWS LATE...PERHAPS THE FLOWER BOY MADE A MISTAKE! NORLD TOURS ARANK3-1 Cope ty1. King Featus Sdir. ALL OFF! THE CASBAH! FROM HERE WE GO ON FOOT THROUGH THE MYSTERIOUS AND MOULDY MONUMENTS OF THE ARAB EAST! THIS IS NOT HOLLYWOODGO HOLD ON TO EACH OTHER.. AND WHATEVER YOU DODON'T GET LOST! PEOPLE HAVE BEEN KNOWN TO DISAPPEAR IN THE CASBAH AND NEVER RETURN! JUST IDEAL FOR YOU! YEAHBUT I WOULDN'T THINK DEEP IN THE CASBAH... IT WILL BE HIS LAST MISTAKE IF HE DID! I WANT HAZARD! OF GETTING LOT.. WITHOUT YOULI'L JILL . IT GROWS LATE...PERHAPS THE FLOWER BOY MADE A MISTAKE! NORLD TOURS ARANK3-1 Cope ty1. King Featus Sdir.

    Thu, March 1, 1951

    Johnny Hazard

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